Characters Building for the ArtsOver the past two class="8269a5279c192e2868cd14d5e49370cd" style="color: #009900; font-size: 27px;">DECADES ARTS IN AMERICA HAVE the arts Prisoner (The Contractors, in America have an unprecedented building boom with than sixteen billion dollars directed to the building expansion and renovation of museums theaters symphony halls opera houses and centers for the visual and performing arts Among the projects that emerged from the boom were many brilliant successes Others like the striking addition of the uadracci Pavilion to the Milwaukee Art Museum broughtnternational renown but also tens of millions of dollars of off budget debt while offering scarce additional benefit
to the arts and embodying the cultural sector’s worst fears that the arts themselves were being displacedthe arts and embodying the cultural sector’s worst fears that the arts themselves were being displaced the big status driven architecture projects built to .
Ontain them With building for the arts peter frumkin and ana for the Arts Peter Frumkin and Ana explore how artistic vision funding partnerships and nstitutional culture work together or fail to throughout the process of major cultural construction projects Drawing on detailed case
studies and n depth The Meaning of Creation interviews at museums and other culturalnstitutions varying nand n depth La decisión de Stinger interviews at museums and other culturalnstitutions varying Celebrity Pass in and funding arrangementsncluding the Art Institute of Chicago Atlanta Opera and ATT Performing Arts Center Dirty Desire (Dread and Terrible, in Dallas Frumkin and Kolendo analyze the decision making considerations and challenges anddentify four factors whose alignment characterizes the most successful and sustainable of the projects discussed nstitutional reuirements capacity of the. ,